2 Poems

Poetry / Traci Brimhall 

 

:: WHAT WOULD I DO IF YOU RETURNED AS A CARDINAL? ::

The light threading through morning’s confusion 
isn’t you. The surprised penny isn’t you either.
Hornet at the hummingbird feeder devastates

like wildfires or narrative. Hunger for signs doesn’t 
bring any. The spiritual equity of the monarch 
is still a fortune written for someone else’s hope. 

Sometimes God is mysterious, and sometimes God 
is a knife, an artery rushing to greet the air. Your fear 
fostered so much of my suffering. My childhood 

a revision of yours. The alpine adolescence—
a cosmetology of fireweed, aster, buttercup. I pruned 
your roses, massacre of red flags bloodying the ivy. 

God rejected me for my own good. I trespassed into 
the matador’s closet for the secrets, but I was as alone 
as a medium in a haunted house, quiet as what remains 

of your body. In the mirror, you and not you. My hair 
straighter, thinner. Though I still can’t control it, I care 
for it. The quilt you never made but the music you did, 

your manicure clicking across piano keys. The comfort 
of unhealthy patterns blushing harder than rubies. 
I would do what I couldn’t as a child and turn from you.

:: BODY, REMEMBER ::

Wake up, nerves. Remember touch, breath, touch. 
Oh body, remember those mouths, those hands, 
how you desired all of it, especially blindfolded. 

The best of everything has been love, those pounds 
of joy. Forget toes stubbed on bed edges, bike pedals 
hitting shins, joints sugar-swollen and complaining. 

Remember the infant doppler looping lemniscates 
over your torso, listening for the baby but finding
the native darkness of your interior, blood rushing 

like horses galloping underwater? And remember 
those pop songs you danced to in darkened kitchens 
so passing cars couldn’t see your hips’s enthusiasm 

for a good bass line? Remember last night—the car’s 
engine bragging its speed, shaking the marrow of each 
bone?  You were alive with a great rage, monstrous 

and capable. But don’t worry, you were only an animal. 
One day you’ll get to die like everything you admire, 
and your beloved will forget your face. Remember 

it is not because he failed to love you well, but because 
his brain doesn’t hold faces. Your brain will hold so 
little then, too, so you can become what’s next. It will 

be beautiful, body, your cells undressing, forgetting.
And over legs you endlessly shaved, grasses will grow 
like you—eager, wild, surviving every day they can. 

From the writer

 

:: Account ::

Both of these poems were writ­ten while spend­ing time with one of my best friends, the poet Brynn Saito. For the last (almost) 20 years she and I have writ­ten togeth­er. After our MFA, we trav­eled togeth­er most sum­mers and wrote togeth­er, and even if some­times we are just trav­el­ing to each other’s homes, we con­tin­ue to write togeth­er almost every day we’re togeth­er. We walk our dogs togeth­er, make tea, pull some tarot cards, and give each oth­er prompts. Both of these pieces were writ­ten in Col­orado, where we cur­rent­ly spend time togeth­er in the sum­mer. My book Love Prodi­gal con­tains many love poems—love as a roman­tic part­ner, love as a par­ent for a child, love as a child for a dif­fi­cult par­ent, but only one poem explic­it­ly about the love of friends. Which is a shame because the love of my friends has been some of the most sup­port­ive and sus­tain­ing of my life and how I learned a lot about what love should look like. But beneath the clear sub­jects of the love poems in the book is the love of my friends who write with me, who laugh with me, who talk deeply with me, who keep me in love with my own life.

Traci Brimhall is a pro­fes­sor of cre­ative writ­ing and nar­ra­tive med­i­cine at Kansas State Uni­ver­si­ty. She is the author of five col­lec­tions of poet­ry, includ­ing Love Prodi­gal (pub­lished Novem­ber 2024 by Cop­per Canyon). Her poems have appeared in pub­li­ca­tions such as The New York­er, The Nation, The New Repub­lic, Poet­ry, The New York Times Mag­a­zine, and Best Amer­i­can Poet­ry. She’s received fel­low­ships from Nation­al Endow­ment for the Arts, the Nation­al Parks Ser­vice, the Acad­e­my of Amer­i­can Poets, and Pur­due Library’s Spe­cial Col­lec­tions to study the lost poem drafts of Amelia Earhart. She’s the cur­rent poet lau­re­ate for the State of Kansas.