Nonfiction / Marcy Rae Henry
I could never tell Randi and Sandy apart when they were coming down the hall until one of them spoke to me. Randi and I were cool, but she mostly just said, ‘Hey, how’s it going?’ Her twin on the other hand hated me in the way only one teenage girl can hate another. I’d never had classes or even a conversation with Sandy, but she’d walk behind me in the halls, snipping, ‘Look at that outfit. Latinas can’t be New Wave. ¡Qué ridículo!’
Ignoring her seemed to piss her off, so that’s what I did—until she started making comments about my body. Then I turned around and said, ‘You want a piece of this, mamita? Sure are focused on it.’ And I shook my ass down the hall.
Later, my friends were gathered at my locker and Sandy strolled by. ‘Check it out. It’s the bitch-bunch!’
Corey asked her to repeat herself and, being Sandy, she did. ‘Perras, todas.’ She dramatically pointed at us one by one and jabbed her finger into Corey’s chest.
Turning to me, Corey said, ‘Hold these, please,’ and handed me her books. Then she punched Sandy in the face. Fists flew, hair was yanked and I burst into tears. Maybe it was the surprise of the whole thing. A crowd gathered and the Spanish teacher ran out of her classroom unsuccessfully screaming for them to stop. She didn’t dare get between them, that’s what the security guard was for, and when Big Mike strolled over, he separated them like rag dolls. In those days people in charge could paddle students, manhandle, yell at and threaten them. And yet, Big Mike never raised his voice and rarely had to get more physical than he did with Corey and Sandy.
After the fight, the Spanish teacher called Corey La Bruiser. ‘Let’s ask La Bruiser how to say, ‘I would have gone to the movies with La Llorona if I’d had the money… Be careful with the verbs.” Something that probably wouldn’t fly today. Corey sat in detention for a week, a couple of desks away from Sandy, and from there she snuck me a note. ‘I’ll always have your back. Love, C.’
***
Corey and I went to college in neighboring states, so we were able to visit each other during breaks and once or twice during the semester. Afterwards, she stayed in Colorado, and I moved to Spain. While I was traveling around, I’d drop her postcards and write at length about love affairs, celibacy; bacchanalia, sobriety; the vicissitudes of the earth and the stunning structures built upon it. Corey would write via Poste Restante. Same stuff: sex partners, potential life partners, dream houses. In Damascus I got a note saying, ‘Will you look for a Monopoly board in Arabic? I’ll love you forever, C.’ Incredibly, I found one and sent it to her around the holidays. When the letter I picked up at the post office in Cairo said, ‘Will you come back to be my maid of honor?’ I was surprised. We were still so young. Or maybe just I felt that way. But I sent a letter back saying, Dear Corey, of course.
***
Back in Granada I planned to take my leave, head back to the States for the wedding and work until I’d saved up enough money to go to India. Before that, I wanted to get Corey something special, something adult. So, I decided to head to Portugal to check out the beautiful blue stoneware.
The first stop was Galicia, where I couldn’t understand a word of Gallego and where, pre-internet, I met people who didn’t know where the U.S. was in relation to Europe. –I assured them lots of people in the States couldn’t point out Galicia on a map. In Santiago de Compostela a cathedral houses the apostle Saint James’ remains, supposedly consecrated in 1211. I stepped into a taverna within the medieval walls and had an espresso so delightful I decided to order another. By the time I waded through pilgrims, waited in line to enter the Romanesque church and found an uncomfortable pew on the right side of the transept, the caffeine kicked in. My heart began pounding. Everything in the chancel was golden and glowing. My hands shook and my head hurt, so I put it between my knees. When I looked up, the High Altar was overwhelming. I could taste stone, wood, metal. Though I’d never done so, I felt as if I might faint. I wondered if I should ask favor of the seated figure of Saint James dressed as a pilgrim or the four angels floating above. When I stood up and clutched my chest, a couple of people close by smiled and nodded at me. They thought I was having a religious experience.
Walking across the border into Portugal, I thought of the only other such boundary I’d traversed on foot and how my great-great-grandmother witnessed this border between México and the U.S. migrate south. She crossed back and forth, saw people fight to get their land back and decided to stay north of the new line. One day my great-grandmother also crossed north for the last time. My grandmother crossed back for short visits. Throughout college, walking across to party in Juárez was as easy as stating our citizenship on the way in, and slurring ‘Mercan when stumbling back into El Paso. No i.d. needed, no papers looked at, no other questions asked. Who knows how many have died in and because of the creation of this border.
Before the Euro, before Europe’s borders became more porous, the first thing to do when crossing one was to change money. Not long after doing so in Coimbra, a city famous for blue and white ceramics, I spent most of it on a serving set for Corey. It was elegant, adult and heavy, and I’d happily haggled to get the price down. I stayed in cheap hostels filled with other people my age, people who talked about how stunning Lisbon was. Of course, I had to go, even if I knew my experience of it would be limited due to lack of funds. And yet, as soon as I stepped off the train with my backpack and well-wrapped serving set, something told me to buy the weed I was offered. Content to wander up and down the narrow, trolley-filled cobblestones and in and out of churches, I scratched museums, Cascais with the medieval Nossa Senhora da Luz Fort and Citadel Palace off the list of places to visit. The weed not only made long walks more enjoyable, it helped with a long night of bed bugs in the first crap room I rented.
Next, I headed to the Algarve, famed for golden coastlines rimmed with miles of cliffs and beaches. I hung out with a group of Algerians who taught me about their country. At that point I hadn’t even seen Battle of Algiers and hung on every word. In a cheap but unbelievably clean and bug-free hostel in Lagos I met a Canadian, an American and Brit and we all agreed to linger in Lagos where we shared food, drink, smoke and lied topless on the sand for hours, blue in front of us and blue up above. We’d trade CDs for the day, listening to Deep Forest and Loreena McKennitt, writing lists of books and music in each other’s journals. Finally, sun-filled, lazy and only able to afford to eat ice cream, I knew it was time to head back to Granada. With buses and trains out of reach, I decided to hitchhike—something that wasn’t unusual for the place and time.
A French woman in a convertible picked me up first. She was playing B‑Tribe and said she always picked up women, especially if they were alone. Afterwards, I didn’t wait long before an Italian couple playing Eros Ramazzotti offered me a lift. Because of their lexical similarity, Spanish and Italian speakers can understand four out of every five words of the other language. So, we had 4/5 of a conversation. They told me about their medieval city; I told them about Corey. Once I entered Spain I was picked up by a man in a small sedan who spoke nonstop in Portuguese which, though also a Latin descendent, sounded more similar to French than Spanish and I mostly just shrugged, ‘No entiendo.’ Suddenly, he pulled to the side of the road. We were in a lovely, forested area; a place where I didn’t want to die. He motioned for me to wait and jumped out. I didn’t know if I should do the same, but if I had to bolt, I knew I’d have to leave the serving set I’d been lugging around.
In the passenger mirror I fixed my eye on the guy. He pulled out a long knife. It glinted in the sunlight. I opened the door and as I got out to run, he shouted, ‘Sanduiche!’ and held up a beautiful loaf of bread in one hand and the knife in the other. The bread disarmed me. I walked slowly to the trunk and watched him cut two slices of fresh bread and a thick hunk of cheese. It was one of the best sandwiches I ever ate.
***
My last ride into Granada was with a Spanish-speaking truckdriver. I managed to break a platter getting into his rig. Corey didn’t mind. At the wedding reception I told the hitchhiking story. She toasted our friendship.
A few years later she sent a letter to India to tell me of her divorce. I sent back some Tibetan incense and a copy of Siddhartha. By the time I returned from the Himalayas, she was about to marry for the second time. I’d been living off savings. She’d been building a career. When I told her about spending hours in silence and meditation, Corey didn’t quite know what to say. She talked about her custom-made Mercedes and $400 bottles of wine, and I wasn’t sure what response she was seeking. We went clubbing and she and her partner sandwiched me on the dance floor. In a moment of music and mezcal she whispered in my ear that I was invited to the wedding/honeymoon in Hawaii. Once again, I was broke and, as I would have been the only guest, I declined.
After I moved to Chicago our visits became increasingly spread out. She came out a few times and I saw her in Denver when she was again divorcing. Not long after, she almost stopped in Chicago while on a business trip. In freezing weather the city is known for, I took a bus and a train to meet her at O’Hare and she wasn’t there. I called her cell from a payphone and waited. After a couple of hours, hoping Corey was ok, I left. Days later I called her home.
She answered and said, ‘I met a guy and well, you know, we ended up getting a room and I missed my flight.’
‘And you couldn’t take a moment to stop me from going to the airport?’
Next time I was in Colorado we made plans to hang out, but Corey got caught up jet skiing and we didn’t connect before I left. We never texted or emailed the way we used to write to each other and didn’t always have each other’s current address and phone number. While she was very active on it, I’ve never been on social media and a mutual friend told me in passing that she’d seen a post about Corey marrying a third time. By that point we hadn’t seen each other in years and if there was a fiesta, I wasn’t invited. It wasn’t as if we’d broken up. She didn’t like my partner at the time, but I knew that wasn’t it—we’d had numerous partners during decades of knowing each other. It was a natural parting, brought on by change and distance.
Several years passed and then, the pandemic. And if not during a worldwide pandemic, when? Corey sent an email. We checked in a couple of times. When the skies opened up again, she came to Chicago for a concert and, afterwards, came by for food and wine. It was still that in between time when people and places had different rules, different boundaries. She found me more cautious about masks and travel than she was. At first, I wondered about her politics.
Then we talked about all the unbelievable mierda. The trifecta of the virus, police brutality and the splintering of the country. We laughed and cried like we always had, acting out scenes from our lives. There was no need to paint ourselves pretty. To act like things turned out the way we planned. I swore to always live just a short drive from the mountains but ended up in Midwestern flatlands. Corey built her dreamhouse, but when her third marriage was over, she ended up moving around, lugging the Portuguese serving set to each new place.
After trading stories about the Sandys of the world and the unavoidable Sandys in our lives, she left. And it was enough. I don’t mean the marriages; there will be another. We didn’t promise to stay in touch—we’d both be in Italy that summer and would miss each other by weeks—but we were updated and we were at peace.
From the writer
:: Account ::
While sheltering in place in Chicago, I found myself writing essays about my abuelita and my hometown. There’s so much more space in my Southwestern town—between houses, people, on roads, sidewalks, in stores. In Chicago I stood at the window watching a float squeeze its way down a one-way street as if it had lost its parade. Graduating high school students’ names were spelled out in sparkly letters over every inch of the long flat-bed. It was innovative and terribly sad.
Well before the internet became ubiquitous, ‘Corey’ and I watched other girls catfish in all the ways possible in the 80s—calling people, pretending to be someone else, leaving notes in lockers pretending they were authored by someone else, sending pizzas to someone who hadn’t ordered them… We didn’t realize the extent to which women and girls were pitted against each other.
We didn’t have the language, among other things, to explain that we’d come of age in a world that embraced gender essentialism and assumed heteronormativity. Later, we understood we could say no to all the competitions we didn’t sign up for.
As someone who’s never had social media accounts, it’s interesting to look at how relationships change as the ways we correspond have changed. Same goes for social expectations, for personal space. Some of my students expect me to be perpetually online. Some people my age think something’s wrong if they don’t get a lickety-split response.
After we’d both returned from our respective trips to Italy, Corey and I emailed a few times about buying one of those 1€ stone-crumbling Italian villas to refurbish. I wonder if she’s remarried by now.
Marcy Rae Henry is a multidisciplinary Xicana artist born and raised in the Borderlands. She has lived in Europe and Asia and had motorcycle accidents in Mexican America, Turkey and Nepal. She is the author of We Are Primary Colors (DoubleCross Press), the body is where it all begins (forthcoming from Querencia Press), dream life of night owls (forthcoming from Open Country Press) and red delicious (forthcoming from dancing girl press) and recently won the May Sarton NH Prize for Poetry. Her work appears or will appear in Salamander, Epiphany, PANK, The Southern Review, Worcester Review, Best New Poets and various other journals and has received a Chicago Community Arts Assistance Grant, an Illinois Arts Council Fellowship, a Pushcart nomination, and first prize in Suburbia’s Novel Excerpt Contest. MRae is a digital minimalist with no social media accounts and an associate editor for RHINO Poetry. marcyraehenry.com