Fiction / Ben Nunn
:: I Need To Write, So Here Goes. ::
I have always lived in a box. And so has she. Our boxes are made of wood and they aren’t tall enough for us to stand in, but we can sit criss-cross-applesauce or lie on our sides. In the winter, spiders will often tuck themselves into the corners. They sit in their little webs and wait out the cold. On the wooden floor, I can see the subtle impression of where I sleep. It’s a small, faint oval.
There is a rectangular slit in both of our boxes, about the size of my two fists. Through it, I can see her box and she can see mine. It’s always been that way.
The chasm between our boxes is just a bit longer than two outstretched, reaching arms. In the spring, lush grasses and tiny purple flowers spread across it. It’s a tan wasteland of dead grass in the summer, an ocean of orange and brown leaves in the autumn, and a gentle storm of snow in the winter until the spring melts it away. Every cycle of seasons it is like this.
Food grows from our boxes’ wooden ceilings. It begins each morning as little green hairs, wisps of vines sprouting above our heads, always a mystery what it will grow into. And grow it does, exceptionally quick. By the time the sun is halfway through the sky, fruits or potatoes or slivers of bread are dangling at our eyes. She likes to show off whatever she gets. Her eyes will brighten, and she’ll stick out her pear, or a handful of doughnut holes through her slit. I’ll laugh and show her mine.
Along with new food, every morning a new object appears in our box. Always in the back-left corner. Whatever I get that day (a handbag, a heart pin, aluminum foil, an empty pill bottle) I will place in the corner at night and the next morning a new item replaces it. Same for her, of course. The stick of coal I’m using now came today, and I’m hunched over using my wooden walls to write this on. I am thankful for this little piece of coal. I need to explain this strange feeling to myself, to wrap my head around everything. I’ll get there.
I’m not sure what she’s doing as I’m writing this; I chose the wall left of the slit so that I couldn’t see her and she couldn’t see me. Most days (most days before Yesterday that is) we would just stare at each other. Her eyes are wide and brown and full of curiosity, always glistening in the sun (even in cloudy weather, there is a magic there). The slit frames them so perfectly, two brown planets trapped in that little window. When I look at her she doesn’t look away; when she looks, I can’t.
In the days before Yesterday, I would imagine what her shoulders or her knees were like beyond that slit window. Were her legs scrunched up like mine were? Her hair was often what I thought about more than anything else. She had shown me once, on the Perfect Day.
It was weeks ago, in the beginning of winter. It had been snowing.
The box had given us both coats to wear that day. That moment alone makes me want to believe in something divine. We were cozy, pulling tightly on our coats, just lazily observing each other’s eyes. Then, and I still don’t know why, she had moved a brown stream of her hair through her fingers and let it tumble out of the slit. It fell in a wavy sort of way, loose yet composed. It had a shine of oil. Snowflakes would land in it, and melt into brown lushness.
She could only fit one eye through the opening along with her hair. I crossed my legs, rested my forehead against the wall, and just stared out. I felt complete. It’s distressing to think about this now, but it was Perfect then.
That was a while ago. We would look out towards each other, finding the other’s eyes through the snow, but less often after that day. It had only gotten colder, and we didn’t get any more coats. I had only enough energy to shiver in the far corner of my box, messing idly with whatever object I received that day. I’m a bit ashamed but while waiting the cold days away I thought about little else but her. I wish I knew what she was thinking right now.
It was snowing Yesterday when everything changed, but I can’t talk about that yet.
I think I have to explain the Creature Day. There is a connection there that I have to understand.
The Creature Day was months ago, during autumn. I had woken up to a new sound. It was a subtle crunching of leaves, softer than hail, louder than a squirrel. We had seen plenty of squirrels in our time, me and her. We’d watch them find an acorn and gallantly hop away to hide it. They were too quiet to ever wake me like this.
I peeked through my slit. The morning outside was still blue, barely warming up. She was already awake, staring intensely at our new companion. Birds would land, squawk, and fly away. A whole world of insects and bugs would accompany us throughout the seasons. We even saw a fox once. This thing, this hulking creature, was nothing like that. It was massive and yet had a frail majesty to it. Atop its head was a crown of antlers much larger than any deer we had seen before. I had to get on my stomach and peer up through the slit just to see the top of it. It had come from the forest to our right and was in our clearing nestling its head through the leaves.
She stared at it and I did too. It didn’t care about our boxes or our stares. It just brushed its way around the leaves, carefully bending its giant frame down to nibble at the grass underneath. I snuck my eyes away from the creature for a moment and focused on hers. She did the same. We were both in this realm of pure wonder together. It was just the two of us, completely ensnared by this beautiful creature.
That was the Creature Day. I think it’s important to what happened Yesterday because it was the complete opposite feeling. Yesterday we were again ensnared, but it was by horror instead of wonder, a red rope instead of a creature.
Yesterday, it was snowing, but it was warmer than usual. That morning my new object appeared; it looked like a toy. There was an orange handle that you could squeeze and at the end of a short rod was the head of a green animal that I didn’t recognize. When I squeezed the handle, the animal’s mouth shut. Open, shut, open, shut. I carefully maneuvered it through the slit to show her. We’d often do this, merely out of curiosity. Open, shut, open, shut. Her eyes were amused, watching. I don’t think she knew the animal either.
I was nervous to do it; I didn’t often play the fool. Yet, when some lazy snowflakes floated down between us, I swooped my little green animal at them. I squeezed the handle and the animal ate a snowflake. Quickly I looked over to see, and thankfully, I saw her eyes full of excitement. I did it again. Then again, swinging my little animal all over the sky between us, catching snow to her amusement.
I didn’t want to push my luck so I eventually tucked my toy back inside my box. When I did, her eyes disappeared for a moment before returning. Then, from her box’s slit, her fingers dangled out her object of the day: a thin red rope. It is because of this rope that I am writing, it is why I feel this strange way.
It was long and apple-red. It was probably as long as I am tall, maybe longer.
I think because I was so playful, she wanted to reciprocate. Her wrists were barely able to fit through the slit, yet, in that same jolly spirit, she was able to sling that rope around and around and around. It flung snow from the ground and smacked snowflakes in the air. I giggled. It wasn’t funny per se, but I don’t think something needs to be funny to laugh.
It felt like another Perfect Day.
Then it happened. She swung the rope in such a way, with such force, that the tip of it, the frayed red hairs, touched the outside of my box. It stayed there, in the snow, limp. Something in my stomach began to churn. It took me only a few seconds to understand, staring at the red rope that was grazing my box, the rope that began way over in her fingers: we were touching! We were touching.
There had always been a chasm between us and now there was a bridge.
All the time I spent imagining her, shivering in my box, staring at the spiders in my corners, seemed to lead to this. I think that’s why I have this feeling. It’s in my chest. It’s something angry, something fragile. It’s her.
I’m not sure what that means, but it felt right to write. I have to keep going.
It got worse, and it’s my fault. It’s entirely my fault.
My arms are much thinner than hers and can reach through the slit further, almost until my shoulder. I could reach the rope down on the snow if I wanted to.
I had wanted to and I wish I hadn’t.
I stuck my fingers out first. I avoided her eyes. My forearm was then out into the frigid air. My shoulder was jamming against the slit, my outstretched fingers twirling around the frayed ends of the rope below. But I was able to grab it, and with a sudden terror, I lifted the red rope off the snow and into the air.
My heart is normally quite calm in my chest, but I remember it slamming, rupturing with a foreign feeling as I stared down the length of the rope. My fingers, our fingers, holding up the long red rope in a taut line. I followed it with my eyes until I met hers. Her beautiful brown eyes were full of fear. Where the Creature was a magical connection between us, that rope was a horrid, all-too-real one.
I remember thinking: I could pull on the rope. This red-hot feeling wanted to pull, to get closer, to see how the brown of her eyes melted into the black of her pupils, to see if she had the same little rashes across her skin as I do, to reach out and feel her hair…
At the same moment, I wanted to cry. I felt it change. The magic of our little world was gone; I could pull her and she could pull me.
What was she thinking at that moment? I would have given up my daily objects forever just to know. But I think I know, and that’s why I feel this way right now.
She dropped the rope first, and I immediately followed. It fell onto the snow, dead, and out of reach from both of us. She vanished inside of her box.
I felt childish. Everything before that moment was ignorant innocence. Of course, we would never live our whole lives without facing each other, really facing each other. But that bridge has been burned forever and I’m going to rot. I’m going to rot away alone! I’m going crazy. Why did it feel so horrendously wrong to hold that rope, to think about pulling her closer?
I’m losing my control, my language. Spewing like this doesn’t help me any. Let me regain composure.
That was Yesterday and that feeling hasn’t left me. Neither has the rope. It didn’t disappear this morning like the objects always do; that scarlet line across the snow was still there when I woke up. My animal toy, carefully placed in the back left corner, was gone and this coal had arrived.
The morning had just become orange when I looked outside; the slit in her box was dark and vacant. Her box seemed somehow closer than it had been.
I say ‘woke up’ but I never really went to sleep. I kept imagining all night what it would be like if we didn’t let go, if we pulled each other together. Perhaps I would have pulled a little closer, then she would have, then me, then her until our boxes were pressed against each other.
Would she have hated me once she really saw my eyes, my face? Would she shrink away into the corner of her box and I into mine?
Or would we have, I don’t know. I wonder what her fingers feel like. That’s a thought I’ve never had before and now I can’t get it out of my mind. She got a little bottle of skin cream a few seasons ago. I think she used it. I bet her fingers would feel soft.
I’m on my stomach right now, writing in the final margin of this wall. I hope she can’t see me. I need to take a break and switch walls, my wrist hurts, my chest hurts. I’ll start again soon
.
*
She still has not shown her eyes today. I look after almost every sentence, and each time I regret it. My chest feels like an empty box. I keep saying chest but I mean heart, I think. She has a box in my heart and it’s vacant and full of cold spiders.
The world taunts me. A blueberry muffin has grown for me today. I plucked it from the ceiling vines and its sweet smell was nauseating. She never told me those were her favorites but I knew. I know what the sparkle in her eyes meant on the days when she showed me a blueberry muffin out of her little window. I don’t want to eat it.
I began writing so that I may hopefully understand myself better, to put words to this swirling feeling. And I know what it is. It’s just her. It always has been. It’s half of my heart, my soul writhing in regret for not pulling on that rope, to get closer. It’s the other half in a complete spiral of terror and anger over what I have ruined, of what could have been. I thought understanding would give me peace, but I, wait-
There she is!
What I just watched has made this wallowing despair worse. Her wide wrist, moments ago, stuck out through her slit, her fingers reaching for the rope below. She was painfully far away. She could not reach the rope as I had done earlier. Her wrist snaked back inside her box, defeated.
I feel defeated! I’m scratching my skin with my left hand as I write with my right. It’s a terrible habit that I thought I left behind. She will never get another item as long as the rope lays outside her box. And that is because of me.
I just tried to reach for it too. My fingers could scrape the snow, but the rope had bent away from me when I dropped it. Another inch and maybe I could have grabbed it, then somehow tossed it back to her.
But I couldn’t and she didn’t look.
I miss the days, the beautiful days of just watching each other. I’m hungry, I’m starving but I will not eat this cursed muffin. I don’t even know why I am writing this; it will all be gone by tomorrow morning. I don’t have the energy anymore to write or think and I’m tearing at my skin and my chest is shaking in pitiful breaths.
The Creature and her hair on Perfect day is all I want to think about, but it feels wrong to, it feels gross. It’s nearly nightfall now and the coal is just a pebble between my thumb and finger. I think I feel worse than before. This has not helped me. Perhaps whatever I get tomorrow will.
From the writer
:: Account ::
I love love. It’s a beautifully human thing and impossible to properly define. As I began to write this story, I was beginning a new relationship, and struggling with what love feels like. Should love be an obsession? At what cost, then? Is it wrong for love to be so manic and without reason? And what does it feel like to not be feeling the right things? I didn’t find these answers, but the man in the box is my exploration. I wanted to block out everything in our world and put this man and his feelings in the simplest setting possible. Perhaps then his insecurities (which of course were my own) could find space to feel themselves out.
I didn’t want to “solve” this problem within this story. Being in a relationship is not always a table on four steady legs, but is more a long and uncertain process. I wished to capture just a glimpse of that process between the man and woman and no more!
Ben Nunn is a student at the University of Texas at Austin, studying film and creative writing. He’s worked under bestselling authors who’ve taught him to write succinctly and powerfully. He enjoys focusing his stories on the absurd and the outcast.