21. I Forgot That Summer in Rome

Nonfiction / Anne Gorrick

:: 21. I Forgot That Summer in Rome ::

Most graf­fi­ti fol­low a for­mu­la, a booty shak­ing cur­sive print­out log­ic. The float­ing fig­ures will include Perseus and Androm­e­da. The first symp­tom is amne­sia. The best way to take this bath is to immerse your­self. In the first week, the seed will either con­geal or fall out. In the lost lands, Lucius was the first to notice a cloud of dust on the hori­zon. Poet­ry always knows. We slaugh­ter ves­tiges of a lost city. A Left Bank hill­side car­ries the name Sainte-Geneviève. Not a bad sell­ing point. Part of the less-than-per­fect to down-right-bad ety­mol­o­gy out there, full of chaff, is the knowl­edge of dis­ease.

 

 

To the south and west, we could see Nepal. It was clear­ly well used. Then I made trip after trip to used book­stores, track­ing down issues of the Sur­vival­ist that I did not have. We were designed to be con­ceal­able and fitwell in the palm of the hand. Women’s boots some­times reached their thighs. Their groans are lost. In sep­sis, the body’s immune sys­tem goes into over­drive.

Edit: Oh, I had some­thing explain­ing it, though it’s lost in my files.

 

 

For 25 days, they fol­lowed our Bal­let Boot Camp Chal­lenge. He looked her up and down, focus­ing on the cloud-print paja­mas tucked into her black stilet­to boots. His stum­ble into the scene looked authen­tic. She ran ahead of him to the goat pen. He reached into his mouth and felt his own tongue. He was wear­ing Nike Zoom Hyper­fuse, a pair of sneak­ers he still owns. His pas­sage left damp spots on the sur­face of the road. There is a sto­ry every nitrous user tells about the first time she ran into gas. Every­one can for­give and for­get once. He pow­er­slides a grind­ing U-turn in front of the truck. These are not her words.

 

 

All you might need to do to soft­en it up is wash it. He gazed down at the dio­ra­ma of her body. Hunt­ing could be a form of chess. Wow, that hip­ster cou­ple in the pho­to made my body itch wild­ly and spoiled my appetite. You seem to be imply­ing that the musi­cal intel­li­gence of the past week amounts to noth­ing. Alec Bald­win debuted his spot-on Don­ald Trump impres­sion on SNL. This is the acces­so­ry every­one for­gets about until they need it. The blue­white death col­or was ris­ing. Rooms are actu­al­ly quite pleas­ant when lit like this. The ripest ones usu­al­ly lay­for­got­ten at the bot­tom. Dante liked to over­see the load­ing of the lug­gage. You don’t want him next to your skin. The itch has spread. It’s wool, so peo­ple expect it to be the ene­my. The pil­lows were soft, the blan­ket plush and thic­knoth­ing. He balled his hand into a fist as if to hit her. There were bright­ly col­ored rem­nants of lost holes. Some­times it was but­tons. Now that I am dead I have for­got­ten. Spray paint me lumi­nes­cent orange so I remem­ber. Sheep can rec­og­nize indi­vid­ual human and ovine faces. Anoth­er favorite gar­ment was a yel­low leather shirt jack­et I wore until it shred­ded.

 

 

I felt myself blush­ing, star­ing at my plate. I can’t even fig­ure out how to open the win­dows any­more. It took me a lit­tle bit to catch on. An ice cube will melt giv­en enough time if you set it out­side the fridge. I’m work­ing alone, lift­ing peach­es from a boil­ing pot into an ice bath. Mon­ey enters this con­test. I smelled mint and choco­late on his breath. Place half the straw­ber­ries, the sug­ar and Grand Marnier into a blender. This is prop­er for those who leap from any height into water. Abortive attempts were made by the Dutch to reclaim their lost pos­ses­sion. Tear the top cor­ner off the map and just fuck­ing shove it into my mouth.

 

 

Many of his patients had lost fin­gers. The weight of water and kayak forced him against the sea bot­tom. He forced him­self not to wrig­gle. We decant our­selves. They scream/stare/whisper into her, this inar­tic­u­late con­test. He was so illeg­i­ble that he couldn’t remem­ber what soda was called.

 

 

Insep­a­ra­ble from def­i­n­i­tion, writ­ing is lost. Note­books filled with almonds. Writ­ers ren­o­vate, reoc­cu­py. A com­pli­cat­ing fac­tor after dark, elab­o­rat­ed, mithri­dat­ed, extract­ed from con­text, not real­ly fir­ing at the tar­get. Our ele­gances, our errors sac­ri­ficed to grav­i­ty and solem­ni­ty. I remem­ber being pret­ty hor­ri­fied at first. When genre = cap­i­tal­ism.

 

 

Sure enough, the vis­it is about to turn ugly. Click on “for­got pass­word.” With mink, a promised win­ter of work and pay, but you for­got to bring your for­mal wear. We’ve lost touch with our Win­ter Pianist. Seat­ed at a theme-dec­o­rat­ed table, I had to wear that red dress because I lost a bet. The remain­ing four­teen quick­ly became lost and ran out of food. He refus­es to accept that she is a mole or a dou­ble agent, but her actions begin to raise doubts. Out west for coal, 50 man­nequins in lav­ish ball gowns. Also, the guests were seat­ed at small tables.

 

 

A sto­ry of smoke­jumpers and a woman in a rust­ing satin gown under a pale sun. The affair resem­bled noth­ing so much as a cat­tle dri­ve. So many acres of ball­room floors that year around the city. Car­toons to helped me to remem­ber these sto­ries. Dur­ing the win­ter, hump­backs fast and live off their fat reserves.

 

 

Tux bind­ing annoy but­ton­hole flat­ter­ers how­itzer ter­mite chum­mi­er nails
shakes… Ball­room blog­ger thresh­old cyn­i­cal­ly fas­ci­na­tion largest monolog
batiks… Hearti­ly Slocum com­pro­mis­es abscond­ed­for­got were diag­noses Ganymede real­is­ti­cal­ly… Marauds recy­cle macaws win­ter char­ter­ing screen­writ­ers win­ter­green… Wheeled aero­nau­tic Callaghan wall rel­e­vant tuxe­do com­peaty

 

 

The view from this win­dow was writ­ten by a woman. Ama­to­ry ele­gies. These love frag­ments, these vocab­u­lary words, these Flash­cards for Roman Civ­i­liza­tion. “Bankers sign” in Latin means “wax tablet.” See my “Licensed Feet in Latin Verse,” a rhetor­i­cal exer­cise. Many fem­i­nine poems have been lost for lack of copy­ing by male read­ers. His moth­er changed them all into Latin char­ac­ters, 15 in num­ber. The read­er-fig­ure is gen­dered as female in order to under­score her gener­ic “you.”

What author presents her thoughts on her lover going on a boar hunt? Sulpi­cia

What poet addressed a lady who has almost lost her hair through bleach? Ovid

 

 

Lit­tle Ice Dev­ils con­tin­ued from page two. She is liv­ing with com­plex region­al pain. “Not even wild grass grows here,” she said. She tow­ers in Lucite. Bones break fre­quent­ly. You must nev­er for­get that Alas­ka doesn’t love you back with its fat hal­ibuts. Despite the thorns that caught on her hands and arms, a dozen fra­grant beeswax can­dles and a rude lit­tle jar of pig fat. Form dis­solves into care­less­ness. They for­get their med­i­cine togeth­er, get­lost, con­fused, dri­ve off the road. Motion­less­ness as ice. They are pieces of drift­wood that dot the beach­es. It’s easy to get lost inside tall cans of Red Bull. Despite the ecsta­sy the hors­es inspire, Pim­li­co is, at bot­tom, noth­ing more than a chill and shud­der. If you had looked at her in detail, she smiled back and found her way into your poem.

 

 

Plu­ral­i­ty and the great civic flo­ra uncov­er oth­er bits of lost mat­ter. The fear asso­ci­at­ed with bur­ial has been replaced with awe. Con­cil­iar fic­tions, in par­tic­u­lar the replace­ment of lengthy and detailed end­notes with more suc­cinct foot­notes. He acts like a king long enough that he becomes one. He pro­duced him­self as a tran­scrip­tion, the nar­ra­tive mov­ing through the busy and var­ied events of Rome. Using the syn­crom­e­ter, you may iden­ti­fy and ana­lyze a par­tic­u­lar skin­site of now-lost tragedy. Alpha­bets began to replace pic­ture-based writ­ing. The boy climbs the rope and is lost to view. There will be charis­mat­ic renew­al, syn­tac­tic move­ment, the appear­ance of move­ment from sequen­tial draw­ings. A world of cities had become (again) the world ruled by a sin­gle city.

 

 

Food, vict­uals; means of sub­sis­tence, liveli­hood. Or lotus; the moon; a conch; the tree Bar­ring­to­nia. Rise from your sick bed. Recov­er from trou­ble. Don’t for­get to take your umbrel­la. I did not have a rule. This both­ers me because it means that I will have to delete 23 brain-improve­ment work­outs. Do not for­get to share your favorite name with us, an assem­blage in any of the hun­dreds of dic­tio­nar­ies, major and minor. Who invent­ed this rather nice but most­ly for­got­ten lit­tle lan­guage? Pair, dozen, score, gross, hun­dred, thou­sand (when used after numer­als). So I entered into the hol­low tubu­lar stalk. A word that sounds rude, but isn’t. The Eng­lish word “sen­ti­ment” does not con­vey the exact con­no­ta­tion. The petals were vivid blue. The word anemone comes from the Greek “anemos” or “wind.” I also remem­ber feel­ing a bit con­cerned that the names were going to stick for life, so I want­ed good ones. The fear of not being dom­i­nat­ed by a god. Many Indi­an hol­i­days end with fire or water. Hun­dreds gath­er to watch.

 

 

Lan­guage cheats. Most­ly, it boils down. Describe your pos­ses­sions, their visu­al echolalia, their slow reduc­tion in vocab­u­lary and syn­tax. I’m pret­ty sure I’m going to embrace these games once we get home. By the time he died, almost every­one clung to their splin­ter tongue, their hypoth­e­sized absolute uni­ver­sals. We’re just a set of vocab­u­lary exten­sions. We pro­vide the nega­tion. I have a cochlear implant, but it’s of lim­it­ed help. Words you’re unfa­mil­iar with become lit­tle holes. Words tend to point in a greater num­ber of dif­fer­ent direc­tions, an opus which pro­pos­es to fix the mean­ing of terms. Inter­est to avoid being for­got­te­namidst the tumult and con­fu­sion in count­less trans­lat­a­bles: to col­or melody, con­ser­va­to­ry. “Crooked head” is the tribe’s term for any lan­guage that is not Pirahã. Pitch changes in utter­ance can sig­nal emo­tion. Pri­or to this, we were con­sid­ered bro­ken.

 

 

One expla­na­tion is that some of the names have been lost over the years. There is a ghost in the rope. No one has a sec­re­tary, and no one can remem­ber a damn thing. I doubt sci­en­tists will ever be able to talk to us. It’s the clos­est thing we’ve got: water and your fan­cy-schman­cy oppos­able thumbs, and oth­er gleam­ing, shrimp-like objects. Paper Girls To Force Giant Days. It’s best not to nib­ble. Our goal is to cre­ate the largest & best list of oxy­morons on the inter­net. The con­stant buzzing was unbear­able. Rocko and Fil­burt ran into the front open­ing of the giant tele­vi­sion. It’s less of a coher­ent movie and more like a bunch of vague­ly relat­ed scenes stitched togeth­er. See more about Sea Mon­keys. Seri­ous­ly, we taste like the sea + pis­ta­chio and lychee. Giant, list­less, con­nect­ed using mor­tise-and-tenon joints that hang togeth­er like huge Lego sets, we use tools. Can be taught to speak (like par­rots); have huge brains for birds; springs from a deep­er basic source than think­ing. Rhyming. Why the man­tis shrimp is my new favorite ani­mal. Even­tu­al­ly we will be able to read only huge batch plateaus in the land­scape. The obvi­ous give­away is that the scars are stu­pid­ly shiny. Then I thought about shad­ows.

 

 

Hol­i­days are con­struct­ed out of spe­cif­ic meals. He thought of crabs, and their val­ue sud­den­ly dwin­dled. We made Bacon n’ Whiskey jam. You know the word. You’ve prob­a­bly made the same mis­take. The plea­sures of this movie are like those of a beau­ti­ful­ly illus­trat­ed, hap­haz­ard­ly plot­ted pic­ture book. Curled up on her side, only a thin sheet thrown­hap­haz­ard­ly over her body. As the pho­tos indi­cate, we for­got about the but­tons on his coat (fur­ry dice, old post­cards but every­thing very hap­haz­ard and rat­ty). She lost her orig­i­nal form, a series of strat­i­fied hor­i­zon­tal lay­ers, a hap­haz­ard bent cop­per. Sev­er­al whitish strands fell hap­haz­ardlyabout her pale face. Grab what­ev­er you can. This made the blinds hang hap­haz­ard­ly, thus the room looked messier. Peo­ple tend to for­get that Ice­land is about 25% desert. A Vir­gin Mary lunch­box and hap­haz­ard licorice and yum­my mum­mies. The first vow­el is often­lost in speech, as auto­mat­ic and insignif­i­cant. Women, sea­hors­es, and riv­er gods are bap­tized in Rubens. High wood­en fences installed along the bay made it dif­fi­cult to see ships. Thou­sands in dress­es once on a brisk moss of lawns.

 

 

The self has made an effort. All built explic­it­ly upon mod­el scenes, a vehi­cle for vir­tu­oso imi­ta­tion.

 

 

Stretch all you want. It’s just a kind of inter­plan­e­tary col­o­niza­tion. His green eyes glit­tered. It’s an awe­some draw­ing of my first fan drag­on with the tox­ic trench stinger. She lost her hold, slid out of the poem. My shoul­ders cleared a road. These lit­tle scenes played out among the green stalks. A lizard scram­bled up her arm, toward her face. “Which reminds me,” he said, “we’ve got to recov­er your films.” The same is true of fos­sil beds in the Gobi desert or the Amer­i­can west. That’s an odd sort of cloth for a leader to wear. It has been many years since I last tast­ed this, its ser­pen­tine length across the hills, the noise of mon­ey. Dur­ing the Pol­ish-Mon­go­lian pale­on­to­log­i­cal expe­di­tion to the Gobi Desert of Mon­go­lia in 1971, every­one was going toward noon, every­one who’s ever stuck their arm out of the win­dow of a mov­ing car.

 

 

Next to the boom-box he’s laid out his clothes. It felt like a pho­ny arm made out of sty­ro­foam or some­thing. He lost all his skin and his nails. Dou­ble dahlias in the gar­den. The threads? Stripped. The pipes? Worn and bare, and they thought, fuck ’em. By now I have pried them apart. Not well you see. So. Let’s divide labor with tact and sort out him from his lit­ter. We were sel­dom out of sight of mud-walled huts or tiny Chi­nese vil­lages.

 

 

I mur­mured. I undrew. You have for­got­ten the words. Four­teen heavy let­ters. Click here to tell us which words you think I should have includ­ed. I watched who the crowd part­ed for. He tast­ed like vod­ka. “There’s not a let­ter there from New York,” I asked, “with my name writ­ten on it?” We have a name picked out: you. I was gripped with pan­ic. You will please note that we have increased your roy­al­ties to 20 per cent. The space of exile goes on for­ev­er like a sen­tence. You dressed with great cau­tion. After the event, the smile surgery focus­es exclu­sive­ly on lift­ing the cor­ners, the drift. Every zoo needs a keep­er. If you’re not sure if a word is an exple­tive, look it up. Avoid the inser­tion of hard returns at the end of every line. Are you sure you want to hear the results?

 

 

Matthew’s west­ern eye­wall and my father’s death relate to his­tor­i­cal times, benign par­ties, and fun, irrepara­ble wounds lurk. The kids on his bus were scream­ing, snort­ing their father’s ash­es, his last biop­sies. The war left prison in the veins. Image stud­ies, cir­cum­stance, small and fierce­ly felt. I think what you’re expe­ri­enc­ing is “absence seizures.” Often, puls­es in the groin and legs are very weak. Nerve con­duc­tion. In Benign Rolandic Epilep­sy, the EEG will pick up epilep­tic activ­i­ty in the rolandic area of the brain. The cre­mas­teric reflex is absent. Only ink would think up pat­terns like this, like a dirty plas­tic pre­tend ivory thing. Every­one is a genius at least once a year. Moths flut­ter.

 

 

In their be-penised bona fides, for­get sweaty neigh­bors and their fan­cy work­out equip­ment. Some­times the best jokes are made by a dou­ble act, even if the per­son play­ing the “straight” role doesn’t know they’re play­ing it. I’m sit­ting in a very pub­lic area and for­got my head­phones. Turkeys Have Got­ten Huge Since the 1940s. Read­ing Par­adise Lost I was struck by how male char­ac­ters (God, Jesus, and the Angels) are yakking all the time and Eve stays qui­et. He’s run­ning on the “Big Tits and I Can­not Lie” Plat­form. He osten­si­bly sets out to com­bine the Creepy House and Creepy Doll sub­gen­res. A cacoph­o­ny of red lines. His­to­ry of the Tam­pon | Mansplain­er Series.

 

 

Still extant, is attrib­uted, there­fore capa­ble of extrac­tion, con­demned by intrigue: the canon­i­cal Latin love elegists. Browse alpha­bet­i­cal­ly through more than 9,000 words. I nev­er real­ly stud­ied the deep end of time. When will the dig­i­tal­ly tattooed/engraved mark/chip be manda­to­ry? Deep down, they knew that they want­ed to face the real world togeth­er. I knew I dis­agreed, but it took me a while to artic­u­late my rea­son. A sketchy draw­ing of the Vat­i­can gold-glass as the sim­plest and old­est pat­terns of prayer. Like Allen Gins­berg zip­ping, the accu­mu­la­tion from inmates shov­el­ing, etched with favor. Obvi­ous­ly won­der­pain called to me from some­where: “Throw straight, cold and fast.” There’s a reflect­ed absence. He showed me his badge once, the destroyed elec­tron­ic doc­u­men­ta­tion of lost art. Vic­tor mouthed the words “thank you.” The bridge’s exact ori­en­ta­tion is unknown.

 

 

She used to drink some­times more than was nec­es­sary, but she nev­er for­got. We are sud­den­ly vul­ner­a­ble and need more time. You may feel relieved that the worst is over. Grad­u­al­ly divest your­self of your orna­ments. Put them in a draw­er and for­get about them. You can help vic­tims and do your shop­ping all at the same time. There is no recov­ery from this per­sis­tent veg­e­ta­tive state, from a street­wise four-move hand­shake, from a thing you nev­er blame deeply. What’s the most obscene dis­play of pri­vate wealth you’ve ever wit­nessed? Liv­ing with binge. My mind was blurred, and I per­ma­nent­ly lost pieces of the last eight months. My bro­ken para­graphs have stum­bled between a clean water dis­as­ter and your mom. With some fucks, I remem­ber wak­ing up. Mood con­ta­gion. Sud­den­ly the per­son would look up. “I just got bit by a shark.” In the days and months sub­se­quent to fire, there was a mirac­u­lous heal­ing through the inter­ces­sion. If you’re with­in 10 feet of some­one expe­ri­enc­ing this, make eye con­tact.

 

 

But if you stop and pay atten­tion, per­spi­ra­tion can actu­al­ly teach you. An inves­ti­ga­tor will shake your hand to deter­mine if it is cold or sweaty. I won­der if I have wan­dered into a cult. I sleep in my bathrobe. If he held his fin­ger straight up along a screwdriver’s spine, he could fling it. I did not sign up. I did not take detailed notes. The body burned entire­ly. When we broke up, I lostin­ter­est in wak­ing up. I won­der if you felt the weight. But it points to a fun­da­men­tald­is­hon­esty. Bring us anoth­er night­mare. Two A-list clas­si­cal artists rev­el in their ten­der. Don’t for­get to touch and kiss each oth­er often, as if you were only here to mar­ket a prod­uct. If only I could unlearn all these things I’d believe. You spent most of the musi­cal try­ing to shake off what you crave.

 

 

It’s full-on trans­paren­cy, not a blur. Its shift­ing appear­ance res­onat­ed toward a new mate­ri­al­ism. It may help to imag­ine how flat sheets repeat the same col­or. Dou­ble-walled façades have repeat­ed­ly been invent­ed. Elim­i­nate the tint left behind. It seems ran­dom, these peo­ple walk­ing in the street, but it’s not. Mate­ri­als (peo­ple) which do not trans­mit light are called opaque. They were swept out into a vague and dusty char­i­ty. Blame­less pink corsets, lus­trous sur­faces. Sci­en­tists made see-through wood using epoxy that is cool­er than glass. A tool for mea­sur­ing the index of refrac­tion of an irreg­u­lar­ly shaped, trans­par­ent sol­id resets the player’s spawn point. But my ques­tion is, why don’t we see these excit­ed elec­trons return to their orig­i­nal ener­gy? We see every­thing slow­ly. This is often lost by the scal­ing off the out­er sur­face. Ignore the gray box so when look­ing through the win­dows we see sky. It’s only that some objects dis­ap­pear.

 

 

Alpha trans­paren­cy tex­ture def­i­nite­ly works. The vis­i­ble and leg­i­ble I. A look at the floor plan’s secret infra­struc­ture. Who has glass pock­ets? No geom­e­try or attrib­ut­es, just light points and their spills, watery look­ing ground tex­tures. Turn off the lights. Your ren­der doesn’t look very real­is­tic.

 

 

Evac­u­ate an emp­ty cylin­der into her some­what vig­or­ous grasp. Dump out the tea leaves you’ve been using all week. Rus­sians believe that you must not put emp­ty bot­tles, keys, or change on the table. This amounts to almost 13 of the emp­ty weight of the air­plane. It’s hard­wired to suck. Com­pet­i­tive ath­letes need more sug­ar to attract their hum­ming­birds. Their names are already for­got­ten in Great Moments in Cin­e­mat­ic Drink­ing. The way they twin­kle as he para­sails. The endurance exer­cise out­come is to post­pone fatigue, not replace it. It’s green when it’s on/good and red when it’s off/bad/empty. I brought myself to an instinc­tive halt. Hold the Trulic­i­ty pen like an emp­ty laun­dry deter­gent bot­tle or cof­fee can. On tele­vi­sion. One day ago. Sup­pose you tape two bot­tle rock­ets togeth­er and light them. Emp­ty­ing a city on short notice means inter­nal com­bus­tion. We gave the rat a prop­er bur­ial in an emp­ty can.

 

 

I’ve been prac­tic­ing this for years: Plath’s fold­ed cloth. It won’t bring lost laun­dry back. Describe the expe­ri­ence: the cold car. Stop cry­ing for the sake of aes­thet­ics. Scot­tish Fold Cats Are Hon­est­ly The Cutest Fuck­ing Things Ever. Improve the sharp­ness and qual­i­ty of my prints ten­fold, of flame, enfold­ed. There is some­thing so bro­ken and I fall, a frac­tion in com­par­i­son. Sil­ver and how ashy the mat­tress. New para­medics: I don’t know how you plan to save any­one if you’re not crushed and minia­ture. The vis­i­tor will feel delight­ed. They sat for eight, nine, 10 hours gaz­ing. It was just fold­ing laun­dry at 2am, except with a sheet of gal­va­nized mesh wire. Lay­ers, veined and bunched togeth­er, as soft as coils. She did not need to fold these into her­self.

 

 

Child sol­diers =

amnesty, brain­wash­ing, char­i­ty, drugged, Eritrea, for­eign pol­i­cy, girls, human rights vio­la­tions, in Ugan­da, Japan, kid­nap­ping, met­al gear, non-prof­it, of Isis, Pow­er­Point, Qui­zlet, res­cue, sur­vivors, should be pun­ished, TV tropes, used as spies, vice, with PTSD, TEDx talk, YouTube, Gen­er­a­tion Z

 

 

Decod­ing real­i­ty? That’s like des­e­crat­ing a church. It’s like the Lost Ghost Ship Turned Its Guests Into Can­ni­bals. The French Rev­o­lu­tion broke out with the fall of the Bastille | Are­ta­lo­gies of Isis | We’ve also built a new Guilt Fin­ger fea­ture into the game. Ring of frost, con­se­cra­tion, des­e­cra­tion, wild mush­room, flare, ice trap. Snow was now falling heav­i­ly, geo­graph­i­cal fac­tors shaped this space. The rules of plur­al lux­u­ry, a sim­u­lacrum of Night­town. The vast throng could not hear him. A jas­mine bluegray night scene. Art broke into frag­ments. He is face­down. We dig into the meat of charm­ing alley­ways. Sum­mer and snow­dark, my face a mask going into the wild­woods. Space is not hori­zon. There is no ver­ti­cal per­spec­tive. This work was made to fall into your hands.

 

 

Veg­e­ta­tion grows sig­nif­i­cant­ly. A string snapped. Great and shim­mer­ing blues and greens. She gen­er­al­ly hid by drap­ing a dupat­ta to cast a shad­ow. I once watched him cut a trip­wire strung across a door­way. Yel­low marks imprint­ed on the road. We grim­ly wave fist­fuls of make-believe mon­ey. Sea salt mixed momen­tar­i­ly with Sun­day. It was the last thing I want­ed to deal with.

 

 

She start­ed run­ning. She was expressed as verse. For­mal. There was almost no descrip­tion of land­scape. The poem was high­ly wrought, slipped into news­pa­pers, so lost in kiss­es. There are hand­cuffs for every­thing.

 

 

Vis­it the post office in a minor key. He talked to her in Key West, accept­ed her as an appari­tion. Per­for­mance is every­thing, nights to cel­e­brate her Jan­u­arys, emer­gency num­bers lam­i­nat­ed for everyone’s safe­ty. It doesn’t even make sense, not even in Dolce & Gab­bana under­wear. Late­ly, he’s been hear­ing all the ani­mals talk­ing. It won’t work, even though the num­bers add up cor­rect­ly. I’m afraid I’m going to go to hell with 15 pounds of fur and claws. To date, there is very lit­tle expe­ri­ence they can­not trans­late, these smooth vol­canic stones. Him in a dry cave, wrapped in the bestra­b­bit fur blan­ket.

 

 

All you need is a hair­pin to unlock your hand­cuffs. Most people’s hands are larg­er than their wrists. A large mouth paint­ed dark with invest­ed pinks. She rubs alco­hol into a but­ter­cup. An image builds through the front door. Every­thing was “shit” and “for fuck’s sake.” I was struck by how nor­mal we all felt. In a dark-green par­ka with fur trim around the hood, she went to Texas with her geol­o­gist father. How­ev­er he was bun­ny­fur com­pared to her witch. Trees attached them­selves to light, glar­ing from their roots. Except Every­thing Looks the Same. I’d for­got­ten how much I hate space trav­el, necrobeas­t­ial­i­ty, this rab­bit-nude-4872-hid­den­stick­er-snow­man. A sound­less rush like an evening jack­et. Every­thing was gray and blocky, but some­how not oppres­sive. Noth­ing was miss­ing. Autonomy’s booz­ing head­winds, ATV nihilists. I ate rab­bit and cab­bage, which almost led to My Tea Shack vs. Fuck­ing on Turquoise Damask. With­in arts-based research, there are notable eth­i­cal gaps. Look, Rab­bit, I’m a woman: eye­lin­er, mas­cara. This page opens into a bright silence.

 

 

From the writer

:: Account ::

Eileen Tabios pro­vid­ed me with one of her poems, “6. I For­got the Plas­tic­i­ty of Recog­ni­tion,” from her book Amne­sia: Some­body Else’s Mem­oir and invit­ed me to col­lab­o­rate with this text. First, I took each line and processed it var­i­ous­ly. I Googled it as it stood. I sub­sti­tut­ed the word “remem­ber” for “for­got” and con­tin­ued the Google search. I slow­ly typed in the phrase, or var­i­ous words from the phrase, to see where the drop­down box of sug­ges­tions led me. I picked and sort­ed and rearranged until I was sat­is­fied. Some lines came direct­ly from the brain­box, oth­ers were high­ly curat­ed from the elec­tron­ic mid­den. The first ver­sion of the col­lab­o­ra­tive piece includ­ed each line from Eileen’s poem, imme­di­ate­ly fol­lowed by my refer­ring text in ital­ics, to empha­size the back and forth. The sec­ond ver­sion sep­a­rat­ed my text out into a new work. I don’t think I ever quite felt this much free­dom (maybe per­mis­sion) to “write into” anoth­er piece of exis­tent work. Joy­ful. Instruc­tive. I kept going, writ­ing into sev­en of her poems total (so far).

Because this work is culled from the elec­tron­ic world, the sense of an “I” in the work shim­mers and appears to exist, but it’s at once an accu­mu­lat­ed and a dete­ri­o­rat­ed “self.” I am fas­ci­nat­ed by these cura­to­r­i­al con­struc­tions.

 

Anne Gor­rick is a writer and visu­al artist.

She is the author of sev­en books, includ­ing most recent­ly An Absence So Great and Spon­ta­neous It Is Evi­dence of Light (the Oper­at­ing Sys­tem, 2018); My Beau­ty Is an Occu­pi­able Space, a col­lab­o­ra­tion with John Bloomberg-Riss­man (Palo­ma Press, 2018); and The Olfac­tions: Poems on Per­fume (BlazeVOX Books, 2017). She also co-edit­ed (with poet Sam Tru­itt) In|Filtration: An Anthol­o­gy of Inno­v­a­tive Writ­ing from the Hud­son Riv­er Val­ley (Sta­tion Hill Press, 2016).

She serves on the Board of Trustees at Cen­tu­ry House His­tor­i­cal Soci­ety, home of the Wid­ow Jane Mine, an all-vol­un­teer orga­ni­za­tion (www.century house.org) devot­ed to the his­toric preser­va­tion and inves­ti­ga­tion through the arts of the now defunct cement indus­try in Rosendale, NY.

Anne Gor­rick lives in West Park, New York.