Poetry / Jessica Nirvana Ram
From the writer
:: Account ::
I’ve always wanted to write about why I became an organ donor but I never knew the context within which I wanted to write about it until I reached a point beyond suicidal ideation. To look back at my thought process with clearer eyes, with growth, helped me recontextualize this idea of offering oneself up. It is pretty normal in my poems to offer up body parts as metaphor so to think about it more literally it was like seeing through fog a bit. Like oh, I’m loved differently now, I don’t have to section myself off for love. It is given, freely and this love makes me want to stay alive. How liberating it was to reach the end of this poem and say: I want to live. There’s also something about this form, the backslashes, that mirrors the content for me. This sectioning, like pieces coming together to form a whole, how there is no whole without the pieces. I’ve been writing in this form a lot, it frees up my brain in a way traditional lineation cannot and I find myself arriving more succinctly at truths when I reframe a poem into this form. It both slows it down and makes it more fluid to me, like rests in a musical score, an addition to the cadence, a notable beat. Some people consider this a prose poem and I don’t know that I agree. It feels fundamentally different than a prose poem, and it isn’t usual lineation—perhaps then its own category? Either way, I enjoy tinkering with it. Seeing how it shapes my language. Unearthing it bit by bit.
Jessica Nirvana Ram is an Indo-Guyanese poet. She is the author of the poetry collection Earthly Gods (Game Over Books, 2024). Her work has appeared in Poet Lore, Prairie Schooner, Honey Literary, and elsewhere. Jessica was a 2022–23 Stadler Fellow, she currently works as the Publicity and Outreach Manager for the Stadler Center for Poetry and Literary Arts. She lives and writes in Lewisburg, PA.