Poetry / Justin Rigamonti
:: To the Dog Who Wanted to Fetch the Moon ::
Whose human said, Pepper, baby, it’s too far, we can only watch. Who wouldn’t understand too far if you spelled it out. Who sees a ball up there and longs to circle it, nose it, take it in her mouth. Pepper, baby, it’s okay, I know you won’t give up. Welcome to the melancholy club. We’re out here nightly, gazing, longing to lay a hand on her immaculate light. Would it be cold, would it be hard? We know, and yet you drop your ears, ignore your human like we ignore the scientists—they say we’re doomed, leashed to a small blue stone. It’s true, but look, there she is, bone white, stunning. The god of everything beyond us. And so we howl.
From the writer
:: Account ::
My nearly finished manuscript starts with a poem about a game my brother and I used to play: we’d close our eyes and try to imagine we’d never existed. It felt like reaching out and touching the cold, black surface of the void. And the question my book asks is what it means to desire anything in a life that might’ve never happened. To be a subjective consciousness that rose from nothing and will return to it and wants things in between: it’s a dazzling, infuriating, and beautiful thing to be, right? Many of the poems in the book are sonnets because I love the simple mechanism of the volta as a way of creating a brief sense of clarity, “a momentary stay against confusion.” Which is also how it felt to watch the internet video of the dog that inspired this poem—the dog who reminded me so much of myself and my poems, little mammals whining sweetly for something utterly beyond them. Watching the video consoled me for a moment, softened the corners of my bewilderment, and like a sonnet, cleared the air.
Justin Rigamonti teaches English at Portland Community College and serves as the Program Coordinator for PCC’s Carolyn Moore Writing Residency. He’s also the Poetry Coordinator for Chatter PDX, Portland’s new Sunday morning chamber music + spoken word event. Justin’s poems have been recently published or are forthcoming in Ploughshares, Hayden’s Ferry Review, Frontier Poetry, American Poetry Review, Rattle, Smartish Pace, and New Ohio Review.